On "The Vibe" we get aquarium bubble pops, atonal video game bleeps, and a plinky keyboard loop, but instead of somehow adding a much-needed fresh Faustian dimension to the song, the found sounds highlight its aimlessness. Much of the group's murkiness can be credited to the addition of samples guy Dale Flattum, who sprays utterly random noises all over the album, diluting its semi-weak impact in the process. Hardly melodic and not adventurous or invigorating enough to pull off the scuzzy brassiness of its yelping forefathers, the Nein get all anguished and pissed as it alternates between grubby grunge slow jams and lo-fi oom-pah on Wrath of Circuits. Road Rules"-style cannibalization), the foursome tries to reinvigorate the bash by throwing out the straight-on kick-drum angularity of their EP and enrolling in a hazy art class where Dave Thomas visually represents skewed entropy by throwing Mark E. With the post-punk party currently in the thick of its heaving, cash-in-reunion stage (a precursor to the inevitable "Real World vs. Mired in self-consciously muddy aural manipulations, this North Carolina band can't (and don't) live up to their acute, exacting name on this debut full-length.
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